Kim Horton on how the film library fired his interest in music It was interesting because when I’d got into the library, they were a lovely bunch girls but they all looked like librarians. They all had the bobbed hairdos… and in fact, Julie Goodyear, who used to take a short cut from Coronation Street…

I was terrifically interested in the whole filmmaking thing, because just everything was going on there. You know, it’s just a joy to see, you know, Dennis Mitchell working in one of the edit suites. You know, Ken Russell was doing his Clouds of Glory, I think Roger Graef was doing his British Communist Party…

For the most part, what we liked about it was in the early time of my editing, is that you were you were pretty much told what you were going to do. Granada would have people that would say, “Well, we want this person to do this edit. It wasn’t producer choice we were talking…

Yes, it was good times. But it kind of led to other things, and one of those things was being asked – because Oral actually had been asked to do 28 Up and they needed a second editor on it, and because I had been his assistant and we were mates, he said, “Why don’t…

At what point did you switch from film to video? At what point, that would have been in the in the 90s. It probably would have been possibly early 90s. The last thing I did on film was it was a series called God Bless America, which were great, a great series, all directed by…