And then really my Granada career came to an end. I was very upset because I left sort of unofficially. When you left, there was this great tradition at Granada. Someone in graphics would do a fantastic picture for you and then someone would go around with a tatty brown, internal envelope and collect about three quid, and buy you a box of Quality Street. But it was the thought that counted!
But I’d been approached by Morrison after I directed various dramas for Sally Head. And I was approached by Morrison, who said, “You’re going to go off and do a movie. And that’s really going to annoy me if you do it with someone else. So I want you to go and see Pippa Cross and see if you’ve got an idea that she wants to make. She’s the new head of film.” So I was sent down to see Pippa and I pitched her the movie Jack and Sarah, which they immediately commissioned. But it then meant when we actually got into production… a year and a half seems so quick now, but it felt like an eternity at the time, a year and a half later, I had been retired from Granada because I couldn’t make a movie, obviously. And all I remember saying to Steve Morrison is, “Where’s the fucking internal envelope? Where’s the picture from graphics? Are you serious? I’ve been here for 10 years. No internal…” Anyway. So yes. So the end of my career at Granada really was making a movie.