Janice Finch remembers the Granada canteen

I remember standing in the queue at the canteen behind this short bloke and thinking ‘I know you from somewhere’ and as he turned to pay I recognised it was Roger Daltrey. I thought ‘My god, what is he doing here?’ It was the kind of place where you’d be sitting there having your fish…

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Janice Finch talks about being a woman working in television

I guess I’ve never ever considered whether or not my gender would hold me back. It never entered into it. Television, compared with other walks of life, has never felt to me like an area in which women couldn’t get ahead. In the time I worked there we had a director of programmes, Andrea Wonfor,…

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Brian Blake talks about working on the ‘World In Action’ programme that covered the first British Gay Pride rally in London in 1972

It was the first gay rights civil march in London, to Hyde Park on a Saturday. We had two crews out, one followed a group of gay rights people from Liverpool and I went down to London and filmed the equivalent London group of people who were marching to Hyde Park. So it was filmed…

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Brian Blake on how Granada was run as a company

And there was an ability in those early days, was there not, to be able to come up with an idea one minute and by the afternoon be actually making the programme? It was exactly the same as I was saying earlier about picking people on a flair; ideas were the same. There were no…

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Brian Blake remembers Denis Forman

When I came to Manchester, I had never been to Manchester before apart from playing football in university days, but I had never been to Granada. I went to the desk and asked “Can I see Denis Forman?” They looked at me, “Is he expecting you?” I said “Yes he is.” I didn’t realise he was…

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The Bernsteins, Denis Forman and David Plowright

Sidney Bernstein (1899-1993) was undoubtedly the inspiration and driving force behind Granada Television. Before the Second World War he created the London Film Society and was responsible for bringing all the Eisenstein classics to the UK for the first time. He formed a close friendship with Alfred Hitchcock and at the end of the war…

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Brian Blake on trade unions

Let’s talk a little bit about the trade unions, at that time in commercial television, whether you thought there were certain rules which inhibited programme making or made life difficult. Whether they were they justified or not. I think the one that irritated me was you had to have a card to become a director.…

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Brian Blake talks about the politics of Granada TV

Somebody said to me that Granada was an unashamedly left wing company. Would you agree with that? I know somebody who did, that was Ken Clarke. Again we were doing an interview with Ken Clarke in London, I think he was Home Secretary. He said to me, “I don’t know why I’m bothering doing this…

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World in Action

World In Action first aired in January 1963 and continued until December 7th 1998. During that time it raised a multitude of major issues and became known as one of the finest investigative documentary programmes ever produced. One of it strengths was that it rarely used a presenter with all questions being asked off camera.…

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Joining Granada

People joined Granada from many unexpected backgrounds. Sandy Ross was a solicitor in Edinburgh, Denis Mooney was a social worker while Brian Blake was an academic. The interviewing process for researchers was something of a daunting experience where you could find yourself facing half a dozen of the company’s leading executives who would give you…

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Structural changes in British TV

The first major structural change to Granada came in the first franchise renewal in 1968 when Granada lost part of its region with Yorkshire, the Borders and the North East being hived off. To that date Granada had operated only on weekdays to the entire north of England. In return however Granada was allowed to…

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Sandy Ross remembers Tony Wilson

I got assigned to work with Tony Wilson on a segment on Thursday evening which was called What’s On. It was just saying to the North West ‘this is what is on in the region over the next week or so’; films, books, magazines, plays, bands and all the rest of it. In hindsight now…

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June Buchan talks about working on the programme ‘So It Goes’

Well then it got quite interesting because I went onto So It Goes which was a music programme with Tony Wilson and it was very, very demanding. It was very high tech, the first series. I don’t know what happened with the second series but I remember we had something like, I don’t know, two…

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Tony Wilson

Tony Wilson, later calling himself Anthony Wilson and then Anthony H Wilson, was a much loved presenter at Granada. He joined the company in the early 1970s after graduating from Cambridge. He was Salford born and was a dynamic supporter of everything to do with both Salford and Manchester. He could be exasperating as a…

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Sandy Ross talks about the TV drama ‘Scully’, written by Alan Bleasdale and his involvement in its production

Sandy talks first about the Scully section on the Granada children’s programme ‘The Mersey Pirate’.  I’d met and got quite friendly with Alan Bleasdale. I thought the Scully books were absolutely fantastic so I managed to convince Alan that Scully and Mooey, his mate, should be the stowaways on the ship. Alan used to write…

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June Buchan talks about Granada as a company

Can we talk about Granada as a company. I mean what kind of company do you have it, how do you see it as a company… Then I saw it as a family firm. I thought they looked after their staff incredibly well, the Bernsteins were still there. It did feel like one great big…

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Sandy Ross talks about his impressions of Granada TV as a company

Just talk a little bit about what kind of a company was Granada.  Granada was, not their words, the best television station in the world. Granada knew they were good. They had weaknesses, don’t get me wrong, but they knew they produced good programmes and all the rest of it. Every year there used to…

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Granada as a company and employer

Granada had a reputation of being a paternalisitc company, in the style of other employers such as Cadburys and Unilever and took great pride in looking after its employees. There was a canteen which was open all day and half the night, a nurse who was on site and if necessary the company could quickly…

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June Buchan talks about the importance of the Granada canteen

The Canteen was a kind of a melting pot of ideas and conversations, and in those days you could smoke in the canteen. I remember they had these horrible tinny little ashtrays, they were sort of, what’s the word, shiny orange, turquoise or green and I think they had the same ones in the Granada…

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The Granada Canteen

The Granada canteen has been cited by many people as a centre of social activity. It always seemed to be open. At breakfast time you could usually find film crews tucking into bacon sandwiches before dashing off filming somewhere. And at around 11.00am it was packed by the graphics department ! At lunchtime it was…

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June Buchan on trade unions at Granada TV

What about the unions, trade unions and various problems? Yes I do remember quite a bit about that. I was a member I can’t remember whether we had to be members or not? Did we – right? I remember a lot of union meetings in a big room up on the 2nd floor I think.…

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Sandy Ross on trade unions at Granada

Let’s just finally talk a little bit if we could about the trade unions because you were active on the shop stewards’ committee I’ve always thought the problem in the early years with trade unions was quite a big one. Granada was a post entry closed shop in these days. So what that meant was…

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Trade unions

All Granada employees were obliged to join the appropriate trade union that negotiated on their behalf. The largest union was the The Association of Cinematograph Television and Allied Technicians (ACTT) which represented producers, directors, researchers, production assistants, camera operators, sound, film and VTR editors  plus others. One of the principal members during the 1980s was…

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